The Museo del Tessuto di Prato presents, until October 25, 2020, sketches and about 30 dresses designed by Massimo Cantini Parrini for the film Pinocchio by Matteo Garrone and made by Sartoria Tirelli, the historical company Costumi d'Arte Peruzzi, started in Florence in the early nineteenth century and then moved to Rome, and Cospazio 26. The clothes reveal the lively creativity of the costume designer trained at the Istituto d'Arte di Porta Romana, at Polimoda until he graduated from the University of Florence. Over the years he has become a careful collector of antique clothes, which are a constant source of inspiration and comparison for the creation of film and theatre sets, for which he has received important awards, the David di Donatello. There are costumes created for the traditional characters of Collodi's fairy tale, including lesser-known figures from the story, such as the imposing, grotesque Snail, faithful collaborator of the Blue Fairy, who alludes, with her natural slowness, to knowing how to wait, holding back the impatience that distinguishes Pinocchio.
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]