The Carlo Scarpa. Glass and drawings 1925-1931 exhibition presents, until the end of March 2020, about 70 works and 50 glass drawings conceived by the Venetian architect for the Vetreria Maestri Vetrai Muranesi (M.V.M.) Cappellin & C. between 1925 and 1931. The glass, most of which is kept in private collections, highlights the figure of the Venetian designer who was a keen connoisseur of the history of Murano glass and experimenter of new solutions, where the shape enhances the colour and the colour becomes an integral part of the structure. The graphic and photographic documentation relating to the Cappellinè glassworks is kept at the Carlo Scarpa Archive in Verona. On the occasion of this exhibition, showcases were used and specially restored, which were designed by Scarpa in 1960 for one of the first exhibitions dedicated to Venetian glass in the 19th-9th century.
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]