Events
Chinese ceramics, for the most part monochrome, created over a period of five centuries, during the Song and the Yuan dynasties, and representing the highest degree of formal and technological refinement of Oriental ceramics, are currently being presented at the MAO in Turin. The extraordinary smelting process generates objects that have become icons of an ideal of absolute beauty. Among the objects on display there is also a ceramic object restored with the Japanese technique, adopted in China, of kintsugi, which used gold to repair cracks and gaps, creating unique works in which a flaw becomes an unrepeatable asset.
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
EVENTS
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
EVENTS
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
EVENTS
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]
