A selection of glass birds, real and fantastic at the same time, created by the artist from Friuli Toni Zuccheri, are presented in an aviary, a suggestive setting curated by Lissoni Associati of Milan. The sculptures, composed of different materials - bronze, wood, stone, but also dried leaves - evoke the nature and the passion of the artist for animals, to the point of transforming them into a symbolic abstraction. On those natural, often recycled supports, that bear the signs of time and wear, are inserted multi-colored glass feathers, realized with various techniques appropriate to the anatomical parts of the birds. For Zuccheri, glass was the subject of constant experimentation on the material and on color variations, which began in the mid-1950s in collaboration with the Venini glassworks and continued over the years in other well-known Italian furnaces.
(Ph. Francesco Allegretti)
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]