After the success of the "first" at the Galleria Gruppo Credito Valtellinese in Milan, the great Italian exhibition of Eadweard Muybridge (1830 - 1904), the photographer who "invented" the movement, influencing with its Degas images and artists of his time and anticipating the birth of cinema, come to the Galleria Credito Siciliano in Acireale, from 2 December 2016 to 19 February 2017. Muybridge, English emigrated to the United States, was the first professional approach to photography, documenting the powerful beauty of Yosemite National Park. Then the curiosity of a business man urged him to test the hypothesis whether, in the gallop, all four of the horse's legs resulted simultaneously raised from the ground, as he had painted, for example, French artist Théodore Géricault in painted The Derby at Epsom (1821).
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]