Massimo Sansavini returns to Florence with a new research, the result of his work over the last two years centered around magic, myths, mysteries and other stories. The project, created for the Galleria del Palazzo, includes twenty-two works ranging from mosaics for the execution and restoration of ancient copies as well as for the creation of modern works, to the restoration of wood and inlays, to the use of industrial resins applied to art, to sculpture. The exhibition will remain open to the public until 13 March 2020 at the Galleria del Palazzo Coveri. Opening hours 11:00 am - 1:00 pm and 3:30 pm - 7:00 pm. Closed on Mondays and public holidays. Free admission.
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]