Set up in the lower church of the Basilica of St. Francis, an exhibition that traces the changes in fashion from the early 1900s to 1960 through the presentation of a selection of clothes, accessories, photographs, paintings, magazine illustrations, but also a careful choice of objects that have become icons of society’s transformation. The exhibition, divided into sections, one for each individual decade, begins with the imitation of French fashion at the beginning of the century, followed by the artisan creativity of seamstresses, the exuberant vivacity of clothes in the 1930s, the innovation of department stores with ready-to-wear clothing, as opposed to the most exclusive sartorial ateliers, up to the moment of female emancipation in the 1960s. A section of the exhibition, curated by the students of the Fashion and Theater Costume Design section presents reproductions of garments worn by the women painted in Piero della Francesco’s frescoes.
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]