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Alberto Cavalli awarded at the FASHION COMMUNITY AWARDS 2022

On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS - FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, gave visibility and prestige to Italian artistic craftsmanship. All winners were selected in relation to the theme "The human touch," the human touch that motivated fashion's resilience, its strategies to face new challenges on sustainability, digital, research, art, metaverse, and inclusion.  

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Arts & Crafts & Design at Palazzo Litta

On the occasion of Milan Design Week, fine craftsmanship and creativity return to enhance the monumental spaces of Palazzo Litta, home of the Regional Secretariat for Lombardy of the Ministry of Culture. Thanks to a partnership with the Fondazione Cologni dei Mestieri d’Arte, Palazzo Litta is now one of the most important places where the […]

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Franco Cologni receives Certificate of Merit from the Costume & Fashion Academy

Last March 9, at the Milan headquarters of the Accademia Costume & Moda, a Roman institution of excellence for training in the field of fashion and costume, a ceremony was held to confer the Certificate of Merit to Franco Cologni for his tireless commitment to the enhancement of beauty and artistic crafts and for his […]

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YouNique – Fine Craft Art & Design

Kicking off the fourth edition of “YouNique – Fine Craft Art & Design,” the exhibition-market of excellence dedicated to high craftsmanship, art and design that will be held on March 25 and 26 in Lugano, in the beautiful Villa Ciani, and will see master artisans and their works as protagonists of the event. Like every […]

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Galileo Chini. Ceramiche tra liberty e déco a Faenza

The Museo Internazionale delle Ceramiche (MIC) in Faenza dedicates an exhibition to the ceramic art of Galileo Chini, presenting about 300 works, many from private collections, some previously unpublished, and a selection of drawings and preparatory cartoons. In eight sections a path is traced through works that illustrate the formal, technical and decorative succession of […]