The photographic exhibition traces the difficult years of the immediate post-war period up to the economic well-being of the early 1960s. Protagonist of the Italian scenario is the 1962 film Il Sorpasso (The Easy Life), directed by Dino Risi, which alludes to the overcoming of the past and the impetus towards a desired but indefinite progress. It is the image of a country that was moving towards modernity amidst incoherencies, firmly-rooted traditions and new ideals. This fabric of contradictions emerges from the photographs on display, many of which are conserved in the Istituto Luce’s Historical Archive and in the Publifoto collection conserved at the Study Center and Communication Archive (CSAC) of the University of Parma, but also taken by non-professional photographers who captured the immediacy of details that, today, rigorously document an era.
unascuolaunlavoro.it, the new website of the project “One School, One Job. Pathways to Excellence” online from September 5, 2022. A new look, lots of new content. Throughout the month, and until September 30, Schools will be able to enter applications from students competing in the Fondazione Cologni call for applications. With “One School, One Job. […]
Launching for the ninth consecutive year is the “Mestieri d’arte e Bellezza italiana” lecture at the Milan Polytechnic, offered among the design faculty’s elective courses and sponsored by the Fondazione Italia Patria della Bellezza. The lectures, taught by Alberto Cavalli, director general of the Fondazione Cologni dei Mestieri d’Arte, present beauty as a true genetic […]
On Tuesday, September 20, during the XXII edition of the CHI È CHI AWARDS – FASHION COMMUNITY AWARDS, Alberto Cavalli, general manager of Fondazione Cologni and executive director of Michelangelo Foundation for Creativity and Craftsmanship, received at Palazzo Marino the social award as curator of the Homo Faber 2022 event that, in an international setting, […]
The title of the exhibition just opened in Venice on the Island of San Giorgio, for the initiatives promoted by le Stanze del Vetro, highlights the close link between Venetian glassmaking and light: reflected, projected, diffused by lumiere and panels of various shapes and sizes. Symbolic icons of the exhibition are the imposing veil, from […]