The name Fuga has been associated with the world of Venetian mirrors since 1852, owing to the artist and artisan Angelo Fuga. It was Franco, however, who started, alongside his wife Tullia Ongaro, this workshop, which has become the paragon of Venetian excellence, also entrusted with the delicate task of restoring the mirrors of La Fenice Theatre. Today, Giuliano Fuga is carrying on the family artisan tradition, by creating classic-style Venetian mirrors as well as artistic pieces made with the collaboration of major artists, designers and architects. The perfect combination of know-how and creativity in a city which is a magnificent mirror itself.
Monday to Friday 7 am to 12 noon and 1 pm to 4 pm
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+39 041 739439
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http://www.ongaroefuga.com
The Barbini family has been committed to the art of Venetian mirrors since 1927. Started by Nicolò Barbini, this creative and versatile workshop specializes in the art of glass engraving and in the production and restoration of old and modern Venetian mirrors. All processing stages – from the design to assembly, including cutting, grinding, engraving […]
Venezia
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Located in the lovely Montemagno, near Lucca, M.G. Arredamenti is a small workshop owned by Giovanni Morelli, where wood is transformed into custom pieces of the highest craftsmanship, which is a rare find in today’s world. With the collaboration of architects and designers, this workshop creates furnishing and home decor pieces unique of their kind […]
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The business was started in 1911 by the three Moretti brothers, for the purpose of producing the two traditional Venetian glass pearls: the Rosetta and the Millefiori mosaic. Over one hundred years have gone by since then and, today, their children and grandchildren carry on the family tradition of the Venetian mosaic glass, while expanding […]
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Two brothers with a passion for metals and everything that can be derived from them in terms of home decor. Daniele and Chiara, artisans with their hands the first, with the designs and the choice of materials the second. The inspiration for the models winks at the retro lines of the ’30s and ’40s, but […]
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