Andrea Restelli is an extraordinary keyboard instrument-maker and expert, who has been making faithful replicas of harpsichords, fortepianos and clavichords since 1985. He was the first in the world to rebuild the 1749 Gottfried Silbermann fortepiano, kept in Nuremberg, identical to the one played by Bach. He has recently made replicas of early nineteenth-century fortepianos, such as the Conrad Graf and Johann Fritz. His workshop is filled with wood processing machinery, tools and wooden materials. The wires are made of iron and red and yellow brass, just like in the 1700s. A must-stop for connoisseurs who enjoy playing music with period instruments.
By appointment
Via Carmagnola, 8, Milano, MI, Italia
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+39 02 6685408
Andrea Di Maio is a skilled constructor of Arpicordi (harpsichords) and antique keyboard instruments. Each instrument is created entirely by the author, from design to decoration and, even if made following the European traditions, is never an exact copy of a precise historical instrument. To understand the care and professionalism that Di Maio puts into […]
Canepina (VT)
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Since 1981, Camillo Perrella has been designing and creating guitars of the highest quality, with a powerful sound and unique timbre. Made in a strictly traditional fashion, technically flawless, but also deeply personal and innovative, they are the result of incessant research into pure sound and the aesthetic of authentic beauty. A Master Luthier with […]
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The luthier Calace was founded in 1825 by Nicola Calace, guitar builder, and later his son Antonio took over the business, dedicating himself to crafting fine mandolins. The son Raffaele, composer, musician and luthier, defined as The Paganini of the mandolin, carried on the family tradition, winning prestigious international awards. Currently the grandson Raffaele Jr. […]
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Claudio Arezio began working as a luthier in 1979, under the guidance of the masters Igino Sderci and Roberto Ignesti. In his Florentine workshop he builds violins, violas and cellos, both modern and baroque, starting from the internal form as in the tradition of classical Italian luthiery. In 2001, on commission from the Accademia Gallery […]
Firenze
