Andrea Restelli is an extraordinary keyboard instrument-maker and expert, who has been making faithful replicas of harpsichords, fortepianos and clavichords since 1985. He was the first in the world to rebuild the 1749 Gottfried Silbermann fortepiano, kept in Nuremberg, identical to the one played by Bach. He has recently made replicas of early nineteenth-century fortepianos, such as the Conrad Graf and Johann Fritz. His workshop is filled with wood processing machinery, tools and wooden materials. The wires are made of iron and red and yellow brass, just like in the 1700s. A must-stop for connoisseurs who enjoy playing music with period instruments.
By appointment
Via Carmagnola, 8, Milano, MI, Italia
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+39 02 6685408
Andrea Di Maio is a skilled constructor of Arpicordi (harpsichords) and antique keyboard instruments. Each instrument is created entirely by the author, from design to decoration and, even if made following the European traditions, is never an exact copy of a precise historical instrument. To understand the care and professionalism that Di Maio puts into […]
Canepina (VT)
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Many musicians, both Italian and foreign, know very well where the Jacaranda luthier’s shop is and that is where they go to have their instruments custom-made. Daniele Fierro and Davide Fossati make top-quality electric string instruments, from basses to guitars. The three master luthiers-entrepreneurs have all the tools of the trade to carry out each […]
Milano
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Claudio Arezio began working as a luthier in 1979, under the guidance of the masters Igino Sderci and Roberto Ignesti. In his Florentine workshop he builds violins, violas and cellos, both modern and baroque, starting from the internal form as in the tradition of classical Italian luthiery. In 2001, on commission from the Accademia Gallery […]
Firenze
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The activity of luthier Martino Quintavalla originates from a passion for music and manual work but draws on the technological and scientific approach matured during his previous work as a researcher in materials engineering and the experience in the workshop with luthier Federico Gabrielli with whom he carried out a research project on mandolins, funded […]
Bianzone (SO)
