Morassi Liutai

The Morassi dynasty began with Gio Batta, who gave and gives a voice to some of the most prestigious contemporary instruments in the world. He is not only a great master luthier, but he is also the founder of the Italian Luthier Association, aimed at promoting the luthier culture. The same love, method and skill can be seen in his son Simeone and his grandson Giovanni Battista, both winners of international competitions. The workshop attracts musicians and collectors looking for unique instruments, created with a methodological rigour that never fails to reveal the personality and sensitivity of the creator.

Morassi Liutai

Monday to Friday from 9 am to 12.30 pm and from 3 pm to 6 pm
Via Lanaioli, 3, Cremona, CR, Italia - +39 037238747 - http://www.morassi.com

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Music and Theatre
Musical Instruments

Riccardo Guaraldi Liutaio a Venezia

Born and raised in Venice, Riccardo Guaraldi trained as a luthier at the Civic School of Violin Making in Milan, where he learned the first principles of the restoration and building of stringed instruments. He then worked with great professionals in the field, by restoring precious Italian 18th-century violins and building his own instruments for […]

Venezia

Music and Theatre
Musical Instruments

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Music and Theatre
Musical Instruments

Liuteria Quintavalla

The activity of luthier Martino Quintavalla originates from a passion for music and manual work but draws on the technological and scientific approach matured during his previous work as a researcher in materials engineering and the experience in the workshop with luthier Federico Gabrielli with whom he carried out a research project on mandolins, funded […]

Bianzone (SO)

Music and Theatre
Musical Instruments

Claudio Arezio

Claudio Arezio began working as a luthier in 1979, under the guidance of the masters Igino Sderci and Roberto Ignesti. In his Florentine workshop he builds violins, violas and cellos, both modern and baroque, starting from the internal form as in the tradition of classical Italian luthiery. In 2001, on commission from the Accademia Gallery […]

Firenze